Papers In the Attic: The Simon Necronomicon GateWalker's Info Page

Essays written by Pratitioners of the Necronomicon Tradition

Warlock Asylum’s Interview With Venus Satanas

Greetings!

I would like to welcome everyone here to the GateWalker’s Info Page. Today, we have a special fuest-Venus Satanist. She is the auther of http://www.spiritualsatanist.com/ I was very happy that she agreed to do an interview, as I thought that it may help our readers learn a new perspective.

Warlock Asylum:  For our readers here on the GateWalker’s Info Page, Who is Venus Satanas? What is your spiritual path? And what links or media have you organized to reach people?

Venus Satanas: See, I found Satanism accidentally when I was browsing the bookshelf in the public library. It was a hardcover edition of the Church of Satan by Blanche Barton that introduced me to some of the LaVeyan perspectives in Satanism. This was in 1992. I created a pact with Satan that same year.

I dedicated myself to Satanism once again, years later after leaving the path
for seven years to work on a failing relationship. In this relationship I had to
give up my practices of Satanism. After seven years I knew that things weren’t
going to work out and it wasn’t the life that I wanted to live anymore.

After I left that relationship, I worked and saved to get my own place. I was
alone and living in a new apartment. To me it was a second chance, my
opportunity to return to Satanism and magic, to finish what I started years ago.
I created a new altar and dedicated my time to studying magic. I saved a black
cat from the shelter (Shadow) to be my familiar.

At my apartment doorstep was a pink rose that took a long time to grow. To me
that rose was a symbol of my new life. It was a symbol of the goddess Venus. At
my own ritual of Magical Naming, I used that rose as an offering to the goddess
Venus. After this, the name ‘Venus Satanas’ became my magical name. I also
rededicated to the path of Satanism, offering my service to Satan once again.

Through this I created my website, spiritualsatanist.com to share my ideas and
experiences with others. It started out as a small collection of articles that
grew over the years into what it is today.

And, in 2007 I created my you tube channel so that I could make educational
videos on Satanism. I also researched the al-jilwah in 2008, and wrote a book in
‘09 called ‘The Al-Jilwah for Satanists’, to expose the origins of this
(supposedly) Satanic document. It is my interest to inform people about my ideas
in Satanism and to debunk the myths that some believe, through education and
resources.

I was also invited to write for the upcoming anthology book, ‘Woman’s Voices in
Magic’, where I described my experience of being a woman on the path of
Satanism. It seems that the majority of Satanists are not women, but I think
this is changing though as more people learn about Satanism.

Warlock Asylum:  How did you discover “spiritual Satanism?” And why Satanism?

Venus Satanas: It was through my experiments in magic and Satanism that I discovered that there really weren’t many good sources for Satanism available. One source did inspire me though and that was Diane Vera’s Theistic Satanism site.

I loved the style of her writings. Her website was easy to understand and full
of common sense advice and excellent research. From reading her writings I began
to understand that there were essentially two types of Satanists out there – the
atheists or symbolic Satanists, and the theists or spiritual Satanists. My
experiences with Satan as a god allowed me to see what I really identified with,
that being a spiritual belief in Satan. So, it was easy to identify with
Theistic Satanism because of my spiritual experiences.

When you ask, ‘Why Satanism?’ – I think that answer would be different for
every Satanist that you ask. Satan represents many things to me, and it is from
these understandings that I have come to have a relationship with Satan as a
god.

My reasons for being a Satanist have changed over the years, but the focus has
always been identification with the qualities of Satan. I suppose that
Satanism allows me to be what I like to identify with, but that would be a
really simple answer to a very complex question.

It is through the experiences that I have had with Satanism that I have seen
Satan as a force that has moved through my life and shaped it in many different
ways. This force has allowed me to achieve what I want in life, mostly through
thoughts, actions, desires, and situations that manifest. I am a very artistic
person and Satanism is a system of spirituality that allows me to be individual,
unique and expressive. Satanism is a benefit to me and my spiritual relationship
with Satan is beneficial as well.

Warlock Asylum: How has this Path helped you?

Venus Satanas: The Path of Satanism has helped me in many ways. In my youth Satanism allowed me to break free from all of the things about life that I believed to be true. It allowed me to stand on my own and to have the courage to be myself. Later on in life, Satanism helped me to help others to find what Satanism is and what it is not.

What really helped me in Satanism was my meeting with nocTifer (nagasiva) in
‘07 in a chat channel. We had so many good discussions on the history of
Satanism. nocTifer is very educated in occultism and his website,
satanservice.org is a huge archive of Satanism that he has collected for many
years.

Through our many discussions he has definitely helped me to shatter some of my
own beliefs that were not necessary, and I am a better person because of this.
My perspectives changed for some very good reasons. It is also because of this
that I have come to know Satan as God of this World, and a god of wild nature!

In Oct. 2008, We created The Horde of Independent Satanists (HISS) to help
independent Satanists with resources and writings on Satanism. Where most
Satanists are generally distrustful of others and battle with each other, I
believe that nocTifer and I are able to work together to manifest something
great for other Satanists.

Warlock Asylum:  What are some things that you feel you still need to explore?

Venus Satanas: Learning never ends, it is an ongoing process. The more that I learn in Satanism and occultism the more I realize that I actually know very little. I suppose that is the idea of spirituality, it is a never-ending mystery. Achieving the
answers isn’t as important to me as discovering the questions.

While standing in line at the store the other day I saw a man with a t-shirt
that said in bold letters ‘The journey is the destination’. I said to myself,
‘yes that’s it! Now that’s the truth.’ Satanism is like that, it’s not a goal to
be achieved it is something that is built along the way through years of study
and understanding and practice.

Warlock Asylum:  What advice would you give to the GateWalking Community and Keepers of the Simon Necronomicon Tradition?

Venus Satanas: I think in my first intro post on the Papers in the Attic blog, I discussed my own experiences and perspectives on the Necronomicon tradition. I will explain here briefly. I do not accept that the Necronomicon or its sources are ancient. However, I do accept that there is some kind of practical use for it as a modern grimoire for modern magic.

From my understanding of the GateWalking method, the closest that I could
compare it to as a magic system is the Chaos magic movement. I think it takes
years of work to make a tradition take hold. If there is something good and
useful that can be gained from it, then that’s great. That’s what makes it work.

But, my advice is this. I know what it is like to be a minority in the occult.
Satanism is in many ways still an underground movement; you have to search into it to find resources and knowledge. The answers aren’t always apparent.

I also know what it is like not to get respect from other occult communities.
Sometimes I wonder why people, who claim to have an open mind, can be so upset
when they are in the presence of a Satanist. I see the anti-satanic propaganda
put forth by Wiccans and pagans. I have seen personally how some in ceremonial
magic have laughed at the ideas of Satanism as if it were a joke. They have many
misconceptions and assumptions. Satanism is very real, and while it is not the
path for everyone, it is something that will appeal to a certain few who
identify with its concepts.

I have also seen another side to my experience in the occult community. It is
through social networking sites and YouTube that I’ve had the opportunity to
reach out to many different kinds of people. I have had people from all paths
write to me and tell me that although they aren’t Satanists they appreciate my
writings and perspectives. This tells me that there is hope, that Satanism can
coexist alongside other kinds of spiritual and occult paths.

So my advice to others who are on a unique and not well known path is this: do
what you love to do because you love to do it, and that’s it.

~ Venus Satanas ~

Filed under: Anton Lavey, Arcturus, Asura, Born-Again, CATHOLIC, Chrisitan, Crowley, Freemasonry, Golden Dawn, Kabbalah, Lovecraft, Necromancy, Necronomicon, Personal, Qliphothic kabbalah, Simon Necronomicon, Simononicon, Sumerian, Taoist, Warlock, Wicca, Yoruba, culture, enki, goddess, gothic, inanna, jewish, magic, magick, new age, occult, order of the eastern star, reiki, religion, sex magick, shamanism, tantra, thelema, typhonian, witch, witchcraft

Warlock Asylum’s Birthday Wishes!

Greetings!

Feel free to add a comment or send out some birthday salutations in comment form. Well, it is October 7th and another year has gone by. It is amazing the new life I have been born into ever since I started GateWalking. I though that I would make a list of some birthday wishes and maybe I can see them come true.

Wish Number #1: I am definitely in the process of organizing a legal entity to represent the GateWalking Community. I feel blessed to be aware of the gods and goddesses, and I am happy to discover this path. I would like the focus of this organization to be one of honor. Not only will it focus on training newcomers to the path, but also help those who are servants of the Elder Gods to move on in their initiation as Ancient Ones. The Ancient Ones will concentrate on perfecting their new-born self and also using their energies to help and assist human evolution.

Wish Number #2: I would like to see a rise in the populaation of the GateWalking Community. It is indeed important step if man is to make further progress, or even survive this sphere of changing events. it would be nice to see Mister Dan Harms and his staff also pursue this path, even if it is done to test the system’s value. There are a lot of astrological changes going on in the world today, including Saturn moving into the sign of Libra. Of course, the decision to Walk this Path is not up to me or the individual him/her-self. It is up to the Goddess and Great Initiator Ishtar/Tiamat.  I can say that the Necronomicon current is growing at a rapid rate. I have been working with 10 people myself and some of these now have there own students, yet it is the decision of the gods, who will come along this Path. It is amazing that one has a chance to exceed the normal human lifespan. This information, however, can only be shaered in the advanced levels of Necronomics.

Wish Number 3: To gain more understanding and insights from the deities and to als be able to ajust my life where needed to release blockages of energy, which affects my success in obtaining my goals. I also ask that may loved ones and family may enjoy a deeper peace and may be safely guided through the new year. That is all for now.

The Dark Knight

Filed under: Anton Lavey, Arcturus, Asura, Born-Again, Chaldean, Crowley, Dark Knight, Freemasonry, Golden Dawn, Kabbalah, Lovecraft, Necronomicon, Qliphothic kabbalah, Simon Necronomicon, Sumerian, Warlock, Wicca, YOGA, Yoruba, birthdays, enki, goddess, gothic, inanna, jinn, religion, sex magick, shamanism, tantra, thelema, witch, witchcraft, wu tang clan

The Simon Necronomicon: A Spiritual Martial Art.

Greetings!

I would like to welcome everyone here to the Simon Necronomicon GateWalker’s Info Page.! If this is your first time visiting us, please take some time to review our previous pages to understand the place in the current discussion.

I would like to further expand on our recent discussion concerning the workings of the Simon Necronomicon as a spiritual system. I will answer some of the questions and opinions made concerning the topic herein by both Dan Harms and Venus Satanas. In an earlier post entitled The Simon Necronomicon as a Spiritual System author Dan Harms provided his definition of what a spiritual system is. Harms makes some interesting points within the confines of this definition. Harms also commented on my Interview With Historian Denny Sargent. I am sure that Harms is confident that he is indeed expressing a noble intention. However, Mister Dan Harms still has left a few open doors and questions concerning his own opinions by only focusing on certain sections of the Interview. For example Harms still hasn’t responded to Denny Sargent’s statement that reads as follows:

“..And I had and have utter respect for Simon a writer but also as a mage….My MA is focused on ancient history and I did a lot of my research on Egypt and Mesopotamia- so what I can say, as a historian, is that Simon’s work is BASED on Sumerian and other Mesopotamian magickal systems, images and incantations. It is my opinion that he was reviving a Sumerian magickal tradition within the ’schema’ of the Necronomicon- and maybe he (and Herman) figured that they could make some  $ as well…:)”

Here we see a perspective of a historian that does make note that the Simon Necronomicon is consistent with Ancient Sumerian and Mesopotamian  magickal systtems. Yet I would also like to remind the reader that this is an observation that is made by someone who is not a GateWalker, but has a strong foundation in ancient history and its magickal systems. Sargent does talk about the dangers of the system, but these dangers lie in any magickal system wherein the Initiate has not properly prepared themselves for the work.  In another recent post entitled The Simon Necronomicon the Method of Self-Initiation Into Enochian Magick we discover that it was Herman Slater’s idea and not Simon, to include some of the Lovecraft Mythologies into what is known today as the Simon Necronomicon. This would mean that Simon’s approach in writing the Simon Necronomicon was not with the intent to capitalize off of Lovecraft’s fame. This is the issue that Mister Dan Harms has to come to terms with. I am sure that Harms is trying to reach a “noble” conclusion for his own spiritual development that neither I, or anyone else can speak on. Harms has to do this within his own sacred confines, and by doing so Harms may be able to take the Dan Harms Machine into a greater place. Now let us look at another question from a Miss Venus Satanas.

Although Miss Satanas has falsely suggested that I deleted her post (view the comment in Dan Harms response The Simon Necronomicon as a Spiritual System, Part 2) with the following words:

“I took a chance that he would delete my post because I was direct with my questioning..”

I am curious as to why Miss Satanas would make such a statement. This is a very honest forum, which is why I have been open to answer all critical thoughts of any opinions expressed about information that is published here, whether it is Mister Dan Harms, Rev Xul, Dan Clore, John Gonce Wisdom III,  Andrew Pernick, or any other inhabitants of the New Age Arkham Asylum, that continues to threaten the peaceful community of GateWalkers for no reason at all by their unwarranted and unnecessary biased opinions.  Since Miss Satanas has expressed some doubt concerning the intentions of this page without reason, we will carefully comment on some of the staememtn that she has made, which can be viewed in the article Is The Dan Harms Machine Breaking Down?

Miss Venus Satanas has a very beautiful website, which one can view for themselves here- Venus Satanas Website. She provides her readers with very useful insights and it is an excellent source for anyone walking along the path of Indiviualistic Satanic thought. I first posted a link to Miss Venus Satanas website in my response to Harms in the article “Is the Dan Harms Machine Breaking Down?” to illustrate that their are individuals who have found spiritual refreshment in systems that do not completely match the criteria that Harms mentioned in his article. Yet she has been able to find a system of spirituality that may not be popular, but is still able to be a source of good encouragement and it is for this reason that I posted her link into my article. I actually enjoy her writings, yet her system does not fall into the confines of what Harms defines as spiritual.

Miss Venus Satanas made following comment in respone to my Is The Dan Harms Machine Breaking Down?:

“all you seem to be doing is chattering  about the idea and not presenting us with something real and useful. What would this system be like? What would it accomplish? enlighten us, please.”

I wonder if Miss Venus Satanas has read all of the material on the GateWalker’s Page for her to make the statement that we are not presenting anything “real” or and “useful?” Interesting. However, Miss Venus Satanas has asked a couple of questions that it would be very “useful” to look into.

First of all the true ancient concept of what spirituality would and would not accomplish is obscene. Spirituality is the study of natural principles and applying them in your life. It is not something that is separate of life. It is the study of life by understanding how the world of nature and the subtle energies of life move within the world and within our own being. What one gains from working with the Simon Necronomicon is based on ones’ intent with the system and this is true of all sysyems. I can relate the system that is found in the Simon Necronomicon, with others systems from Christianity to Yoruba, and other systems. The Simon Necronomicon is useful for transformation and alignment with the natural order of things. The rituals are based on the Moon Cycles, which cause an alignment to lunar, planetart, and stellar energies. Most GateWalkers experience a strong lucidity during the full moon and other moon phases naturally. The connection that the GateWalker has with the stars is a unique relationship within itself. Usually visions and dreams occur when certain stellar changes take place, and how it will effect your life.  The GateWalker is thereby able to make a petition to the natural starry forces and make a more good outcome of  what has been shown to them or accept what has been shown to them. This relationship with the deities in the Simon Necronomicon works in two way. it first exposes certain flaws of the Initiate’s persona, and by doing so, it shows how the Initiate may be blocked from a certain goal in life due to a certain activity or addiction. The Initiate is then given the emotional perspective of how such action is inappropriate and by correcting it other aspects of life are opened up to that individual. So it does help in transforming the person. Yet this is where the system can be dangerous. I have witnessed people who have attempted to use the system with the wrong intent -go insane. This was due only to the fact that the Initiate’s pride, or false ego, would get in the way, and certain things that needed to be corrected were just swept underneath the rug because they refused to see themselves operating in a way that was harmful to themselves or others. Yet they would continue to beckon upon the deities to grant them certain blessings. Since they could not except the their true nature that was being exposed to them, they were  consumed in that same pride. This is the curse of Enki, and this is why I stated earlier that each Initiate may get something different from the system because we all have different blockages in our live on our path to perfection that we have to personally work out. Secondly, the system is a great source of magickal power that can be worked to obtain many things when one has the proper perspective. Most GateWalkers have acquired different magickal gifts over time. yet by the time these gifts are obtained their intent on how they are used changes from one of selfishness to one of purity.

I have no issues with the system, nor I am trying to prove the value of the system to anyone. I have simply provided a resource for those who are uninitiated and newcomers unto this path. There are times where I may talk about “Mister Dan Harms” in a joking manner yet I still pray for Harms and his family (especially his younger brother) that they may be protected through such turbulent times. I look at the debates between Harms and I, as a sport that can also work as a resource of knowledge. I have even used some information from the Necronomicon Files, the writings of Dan Clore, and others opposed to the system, as resources for some of my informative blogs concerning the system itself.

I have stated that the Simon Necronomicon is a martial art because of its structure. Once one has been mentored by an older GateWalker they may use their magickal art in a way that is different than another GateWalker, yet they are still honoring the Necronomicon Tradition and are a part of a rare heritsge. The GateWalker is one who has obtained a personal relationship with the deities that are written about and studied by anthropologist and scholars. Therefore, the GateWalking Community is like a family of brothers and sister and the parents are the deities. This being the case, one GateWalker may differ in their experience with a particular deity than another GateWalker may have, but these are things concerning ones intergration of their personal experience with the deity that is different than another GateWalker. It is like a brothers’ and sisters’ opinoon of the parent in question- while it may be somewhat different they still repect the parental authority that the parent has and know how some of the parent’s attributes are seen in their own lives since they are progeny of them. We have been able to provide insights on the GateWalker’s Page about the Sumerian and Mesopotamian deities that is not found in books but it is still consistent with the ancient mythologies due to such.

Although some may consider themselves “critics” of our heritage, the GateWalking Community still falls under the western definition of a religious system. Wikipedia gives us the following definition on the term Religion.

“a religion is an organized approach to human spirituality which usually encompasses a set of narratives, symbols, beliefs and practices, often with a supernatural or transcendent quality, that give meaning to the practitioners experiences of life through reference to a higher power, God or gods, or ultimate truth.”

Practitioners of the Simon Necronomicon fall directly under this definition. I am of the personal belief that the Simon Necronomicon has been attacked over recent years due to the grimoire’s power. In some aspects the work of individuals like Dan Harms, work in a beneficial way since it deters the ignorantly-curious from working with such a powerful work and that could injure a person who is not reponsible in the Necronomicon Tradition. I often liken the work of the GateWalker to the Ninja as seen in the movie Shinobi and I encourage every GateWalker to view this film because it shows how a group with real magickal power can be feared and why. So work in a responsible way.

Warlock Asylum

Filed under: Anton Lavey, Arcturus, Asura, Babylon, CATHOLIC, Chaldean, Crowley, Dark Knight, Enochian, Freemasonry, Golden Dawn, Kabbalah, Lovecraft, Necromancer, Necromancy, Necronomicon, Personal, Qliphothic kabbalah, Simon Necronomicon, Simononicon, Spiritual, Sumerian, Taoist, Warlock, Wicca, YOGA, Yoruba, culture, enki, goddess, gothic, inanna, jinn, magic, magick, martial arts, moorish science temple, new age, occult, order of the eastern star, reiki, religion, sex magick, shamanism, tantra, thelema, typhonian, witch, witchcraft

KEYS TO THE ANCIENT ONES PART 13: PAZUZU IS CHORONZON?

Greetings!

I would like to extend a warm welcome to everyone here at the GateWalker’s Page. If this is your first time here, we asked that you begin your journey by reading some of our previous articles to aid you in understanding how we arrived at our current discussion.

In the Simon Necronomicon’s CHART OF COMPARISONS, we find Choronzon being equated with Pazuzu. I am sure that this has raised much speculation across the Occult Community by critics and practitioners alike. In view of such, it may be good for us to review the meaning of all of this as we move on in our understanding of the most Sacred Tradition.

Before we delve further into this discussion, I would like to remind that those of us who are Initiated into the Simon Necronomicon Tradition, it is a must that we research the information in the grimoire, as well as, what we are told by the energies in the tome through epiphany. Let us now move on into our discussion by first defining what Choronzon is.

I found a very interesting online article about Choronzon which gives us a very good definition about the said subject being discussed. Thelemapedia: The Encyclopedia of Thelema and Magick, which can be accessed here

http://www.thelemapedia.org/index.php/Choronzon made the following observations:

“Choronzon first appeared in the Enochian writings of John Dee in the 16th century, where he was synonymous with the serpent in the Garden of Eden. Aleister Crowley paraphrased Dee’s description of Choronzon as “the first and deadliest of all the powers of evil…rightly so, for although he is not a person, he is the metaphysical contrary of the whole Process of Magick” (1998). In the system of Thelema, Choronzon is the Dweller in the Abyss, that great spiritual wilderness which must be crossed by the adept to attain mastery. Choronzon is there as the final obstruction. If he is met with the proper preparation, then he is there to destroy the ego, which allows the adept to move beyond the Abyss. If unprepared, then the unfortunate traveller will be utterly dispersed into annihilation.

In The Vision and the Voice, Crowley describes Choronzon:

The name of the Dweller in the Abyss is Choronzon, but he is not really an individual. The Abyss is empty of being; it is filled with all possible forms, each equally inane, each therefore evil in the only true sense of the word—that is, meaningless but malignant, in so far as it craves to become real. These forms swirl senselessly into haphazard heaps like dust devils, and each such chance aggregation asserts itself to be an individual and shrieks, “I am I!” though aware all the time that its elements have no true bond; so that the slightest disturbance dissipates the delusion just as a horseman, meeting a dust devil, brings it in showers of sand to the earth.

Crowley also speaks of him in Magick Without Tears:

And whoso passeth into the outermost Abyss—except he be of them that understand—holdeth out his hands, and boweth his neck, unto the Chains of Choronzon. And as a devil he walketh about the earth, immortal, and he blasteth the flowers of the earth, and he corrupteth the fresh air, and he maketh poisonous the water; and the fire that is the friend of man, and the pledge of his aspiration, seeing that it mounteth ever upward as a Pyramid, and seeing that man stole it in a hollow tube from Heaven—even that fire he turneth into ruin, and madness, and fever, and destruction. And thou, that art an heap of dry dust in the city of the Pyramids, must understand these things.

In a more general sense, Choronzon represents dispersion, impotence, malace, corruption, restriction, and death. A more detailed account of Choronzon can be found in the Tenth Aethyr (called ZAX) in The Vision & the Voice. “

In the above passage, Crowley describes Choronzon as the ‘Dweller of the Abyss.’ Crowley’s perception of Choronzon, as expressed in Magick Without Tears, is that he is “as a devil he walketh about the earth, immortal, and he blasteth the flowers of the earth, and he corrupteth the fresh air, and he maketh poisonous the water; and the fire that is the friend of man, and the pledge of his aspiration, seeing that it mounteth ever upward as a Pyramid, and seeing that man stole it in a hollow tube from Heaven—even that fire he turneth into ruin, and madness, and fever, and destruction.”

This relates to a passage that we find in the Simon Necronomicon’s Book of Calling:

Know, fourthly, that it is become the obligation of the Priests of the Flame and the Sword, and of all Magick, to bring their Power to the Underworld and keep it chained thereby, for the Underworld is surely the Gate Forgotten, by which the Ancient Ones ever seek Entrance to the Land of the Living, And the Ministers of ABSU are clearly walking the Earth, riding on the Air, and upon the Earth, and sailing silently through the Water, and roaring in the Fire, and all these Spirits must be brought to subjection to the Person of the Priest of Magick, before any else. Or the Priest becomes prey to the Eye of Death of the Seven ANNUNNAKI, Lord of the Underworld, Ministers of the Queen of Hell.”

When we compare the two passages we can definitely conclude that Choronzon would be considered an Ancient One. Crowley describes Choronzon as the “Dweller in the Abyss.’ I think many of our readers will enjoy this definition of Choronzon, found at the following link: http://www.crossroads.wild.net.au/333.htm

“Choronzon is the dweller on the threshold, the Guardian of the Abyss. He is the ultimate initiator, and so to turn back when he looms unexpectedly in one’s life, is to deny oneself possibilities of evolution. For it is not just the Abyss which Choronzon guards, but also the supernal triad beyond it, those ineffable flowers of samadhi which may only be reached by crossing the Abyss. Whether this crossing is a torturous ordeal or a blissful release is basically up to the individual’s perspective, to how they deal with the process of initiation”.

The above quote gives us a deeper perspective of the Rites of GateWalking. Choronzon is the Dweller of the Abyss. He is the Great Initiator, and must be passed if one is to move on to enlightenment. The Abyss, in the Simon Necronomicon Tradition, is opened when GateWalker performs the Calling, which includes the workings of the URILLA Text. It is here that Chorozon is invoked and the GateWalker can travel into the deeper mysteries of the Astral Kingdom. Yet what is interesting and unique about the GateWalking System is that Choronzon is called upon within each Gate Initiation.

A part of the GateWalking Initiation includes within its Rites is the Conjuration of the Watcher. In the NORMAL INVOCATION OF THE WATCHER, we find the following words:

“Cease to lie unwaking beneath the Mountains of KUR.
Rise up, from the pits of ancient holocausts!
Rise up, from the old Abyss of NARR MARRATU!”

This passage clearly shows us that the Watcher is from the Abyss. In some of our previous discussions we were able to identify the Watcher with KUTULU, which can be seen here at this link:

http://warlockasylum.wordpress.com/the-bandar-sign-part-1-kutulu/

We come to appreciation in our process of Initiation that the elements of the Abyss are indeed in our psyche. The elements of the Abyss are included in our work to burn away the “false ego” which claims many occultists. The challenges that Choronzon brings up are not external issues, but those affecting the psyche. Peter J. Carroll and many chaos magicians consider Choronzon to be an embodyment of all the psychic crap that is floating around the aether. Magicians who have more amicable experiences with Choronzon have reported him to be helpful and friendly, although posessing a rather bizarre sense of humour.. Choronzon, is said to be the conquest of the ego, which prevents a magician from reaching enlightenment. Of course, there are always those of us who would rather work with the ego than against it. These are referred to by Thelemites as the ‘Black Brothers’, as are those who worship Choronzon as the guardian of the portal between worlds. Probably the most popular working involving Choronzon is Peter J. Carroll’s ‘Mass of Choronzon’. This calls upon it to grant a random desire of the magician’s subconscious.  Choronzon is the key to the other realms and whatever experiences that one has with this entity depends on the psyche of each individual. Yet there is another thing that must be taken into consideration-Why is Choronzon comparable to PAZUZU? For that answer we must look at another figure-The Baphomet.

Frater Samuel 23 (Brian Shaughnessy ) makes a very interesting observation concerning the Baphomet, which can be seen here:

http://chaoscurrent.com/experience/baphomet.html

“I see Baphomet as comparable to Choronzon or the angelic office of Satan, in certain of his functions. Baphomet has opposed me, at times forcing me to reconcile with the “bad” things I have done (particularly in the past) and also forcing me to confront the positive things I have done. Baphomet represents to me the amalgamation of all of our disparate actions and motivations, perhaps only approachable from a dualistic mindset. Baphomet is the personification of unification.”

Frater Samuel’s observation is a profound one indeed fro it reveals Chorozon’s true purpose. Chorozon forces us to deal with our prior “sins” or Earthly debts before we can move on into the higher realms of consciousness, we must address issues that prevent the process of enlightenment from taking place. This is where the pride of a magician can become the very thing that destroys them. What is also interesting here is the comparison between Baphomet and Choronzon. If Choronzon can be compared to Baphomet, then we can also understand that the relationship between Choronzon and PAZUZU, as mentioned in the Simon Necronomicon, would then find its link with Shugal. We mention this here in our discussion because of Frater Samuel’s statement concerning the Baphomet. The Baphomet is actually an androgynous figure.  This is also relative to Choronzon. Crowley tells us the guardian of this realm (Daath) is Choronzon Shugal having the kabbalistic value of 666 – this guardian is both a male Shugal 333 and a Female Choronzon 333. This guardian’s role is to destroy the ego, for one cannot enter the supernal while clinging to the attachments of the ego. Interestingly, in the article The Demon of the South-West Wind by Stephen Sennitt, Sennitt makes the following observations, http://philhine.org.uk/writings/sp_pazuzu.html :.

“In his erudite book, The Domain of Devils, Eric Marple describes the wind demon as the most terrible of all demonic entities, having the power to spread loathsome diseases with his dry fiery breath. The demon has “for a head the almost fleshless skull of a dog”1 representing death, disease, and as the fleshless death’s head of the desert scavenger, starvation. Significantly, William Woods states in his History of the Devil: “… in Mesopotamia the horned demon, Pazuzu, rode on the wind and carried malaria…”2 thus emphasising the demon’s destructive role as “lord of fevers and plagues.” Perhaps relating Pazuzu to the devouring dragon, Typhon, “angel of the fatal winds”, equated with the disease Typhoid.

Another representation of the wind demon can be traced in the Old Testament, where the devil is described as a hairy black creature; a haunter of the desert wastelands.3

The idea of the wind devil as a desert creature may derive from the Egyptian concept of Set, the destroyer, most ancient of the gods, who was represented as a strange, dog-like animal, not unlike that scavenging denizen of the desert, the jackal. Kenneth Grant has called this manifestation of Set, Shugal “the desert fox symbolic of Set, the male half of the Beast 666.”4 the number of Shugal being 333. The “female” half of the Beast is Choronzon (333), another pestilential being – representing Chaos in all its latent or manifested aspects. Choronzon is said to have driven Aleister Crowley insane by his invocation of the entity in the North African desert.5 Representing the malaise of chaos and destruction Choronzon is probably one of the most complex symbols in western occultism.

Interestingly, in relating Pazuzu to the concept of the Beast, we find his number is 107. Kenneth Grant states that this number is the number of the angel of Leo, OVAL, the messenger of the Beast.6 Oval literally means “egg”, and therefore refers to the aeon of the “daughter”, or the aeon of Set, which is still in embryonic form. In many of the world’s ancient theologies, this final aeon is the era of destruction, when the messenger of the Beast, Pazuzu, delivers his word..,”

We can see in the above quote that the correspondence between Choronzon and PAZUZU, was also calculated by one of Crowley’s students Kenneth Grant. It is here that we find how critics of the Simon Necronomicon must point the finger at themselves for being ignorant since they are uninitiated in the Qliphothic Tradition, their opinions are of no value along with their observations of it.. Sennitt continues:

“Interestingly, in relating Pazuzu to the concept of the Beast, we find his number is 107. Kenneth Grant states that this number is the number of the angel of Leo, OVAL, the messenger of the Beast.6 Oval literally means “egg”, and therefore refers to the aeon of the “daughter”, or the aeon of Set, which is still in embryonic form. In many of the world’s ancient theologies, this final aeon is the era of destruction, when the messenger of the Beast, Pazuzu, delivers his word: the howl of pestilential desert wind. The ancients may have recognised this word as the dread “great dragon”: ATEM, whose number is 440; it is also the number of “to annihilate”: “cease”, “disappear”, and, significantly, “complete”, which may refer to the ending of the cycle, as ATEM is also the goddess of periodicity, identical to the terrible Hindu goddess, Kali the destroyer. It is also interesting to note that 107+333=440. This formula may represent the ultimate blast of devastating wind from the mouth of the “great dragon”, ATEM, the Beast of the Apocalypse. “

PAZUZU’S number, according to Sennitt’s observations is 107. 1 + 0 + 7 += 8. PAZUZU is a force which is found in the Eighth Gate. This is the Gate of Self that Simon mentions in his work “Gates of the Necronomicon.” Being that Simon describes this Gate as the Gate of Self, as we have discussed in previous articles, this would also solidify our findings that PAZUZU is not just one being, but a Race of Watchers. Notice the similar hand positions of PAZUZU and the Baphomet:

PazuzuDemonfromwikipedia

Notice how the right hand is extended up and the left hand is extended down. Now let us look at the Baphomet:

WitchBaphomet

Notice on the head of the Baphomet is the Five-Pointed Star or the ARRA Sign. This is the Sign of the Race that exists from beyond the Stars. These same rites are found in the Calling of the Watcher, where the right hand is extended upwards and the left hand downwards.

“This Invocation is to be made during the course of any Ceremony when it is necessary to summon the Watcher to preside over the outer precincts of the Circle or Gate. The Sword is to be thrust into the ground as before, in the Northeast section

Interestingly, in Taoism and some forms of Japanese Buddhism, the NorthEast is known as the Demon’s Gate. Therefore, the guardian that could properly oppose the entrance of negative forces is the Watcher, which comes from the exact opposite direction-Southwest. This shows us that PAZUZU is the personification of the Race of Watchers.

demon'sgate

It is interesting to note that the South East, as seen in the above diagram, represents the Mother Earth, which relates in our system to Tiamat. Yet the mystery becomes more deeper when we analyze the images of Baphomet and PAZUZU. When the Practitioner is Calling the Watcher, while facing their altars to the North, the right hand is extended upward, which places the right hand in the North-East direction. The left-hand is extended South-West, as the Watcher is being called from the Abyss, or the South-West Sphere of the Mother Earth. PAZUZZU being the Lord of the South-West Winds and Demons, is therefore called to protect the Initiate during the rites of Initiation from forces that may enter from the North-East. Simon mentions this in his Introductory Notes, under the subheading, The Devil:

“PAZUZU was a prime example of the type of Devil of which the Sumerians were particularly aware, and which they depicted constantly in their carvings and statues. The purpose of this iconography was to ward off the spiritual – and psychic – circumstances which would precipitate a plague, or some other evil. “Evil to destroy evil.” Although the ancient people of the world were conscious of an entity we might call the :Author of all Evil”, the Devil or Satan, as evident in the Sumerian Creation Epic and the rumoured existences of the Cult of Set of the Egyptians, the more pressing concern was usually the exorcism of TIAMAT, she exists, somehow, just as the Abyss exists and is perhaps indispensable to human life if we think of Her as typifying the female quality of Energy. Although MARDUK was responsible for halving the Monster from the Sea, the Sumerian Tradition has it that the Monster is not dead, but dreaming, asleep below the surface of the Earth, strong, potent, dangerous, and very real. her powers can be tapped by the knowledgeable, “who are skilful to rouse Leviathan.”

The Mad Arab also speaks about the process in the Book of Entrance:

“For what comes on the Wind can only be slain by he who knows the Wind; and what comes on the seas can only be slain by he who knows the Waters. This is it written, in the Ancient Covenant.”

All of this indicates PAZUZU’S placement or identity with that of the Watcher. Different than the Mass of Choronzon, PAZUZU is invoked at each Gate to tear away at the “false ego” in every aspect of life. Finally, when the Initiate opens the Gate of Self, they beome merged with the Watcher and can cross the Abyss and grow more Adept in the Dark Mysteries.

WARLOCK ASYLUM an Ancient One

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KEYS TO THE ANCINET ONES PART 12: ISHNIGARRAB

Greetings!

I would like to welcome everyone to the Simon Necronomicon GateWalker’s Page. If this your first time here, we do ask that you review some of our previous discussion in order to gain a clear insight into our current discussion.

Lately, we have been reviewing the Path of the Ancient Ones. After discussing AZAG-THOTH,  I thought it would be good to cover another entity in the Simon Necronomicon workings. We find Simon makes an interesting comparison in his introduction of the SN, under the subheading Sumeria:

“There is a seeming reference to SHUB NIGGURATH in the NECRONOMICON, in the name of a Sumerian deity, the “Answerer of Prayers”, called ISHNIGARRAB. The word “Shub” is to be found in the Sumerian language in reference to the Rite of Exorcism, one of which is called Nam Shub and means “the Throwing”. It is, however, as yet unclear as to what the combination SHUB ISHNIGARRAB (SHUB NIGGURATH) might actually mean.”

Here Simon makes mention of a SHUB NIGGURATH as being called ISHNIGARRAB in the Simon Necronomicon. Before we begin defining just who ISHNIGARRAB is, it would be useful to look at how this entity appears in the Simon Necronomicon.

Different than AZAG-THOTH, we find that ISHNIGARRAB appear later in the Tome. The first mention of ISHNIGARRAB, is in the INVOCATION OF THE SHAMMASH GATE:

“ISHNIGARRAB is scorched black by Thy rays”

We come to the term ISHNIGARRAB again in the Book of Calling, as it appear in the INVOCATION OF THE NORTH GATE:

“Be thou most vigilant against the UTUKKI of TIAMAT
The Oppressors of ISHNIGARRAB”

In the above quote, we can safely assume that ISHNIGARRAB is a controlling force, as this entity is able to send out oppressors..

We later see a reference  to this mysterious entity in the MAGAN Text:

“AZAG-THOTH screamed upon his throne
CUTHALU lurched forth from his sleep
ISHNIGARRAB fled the Palace of Death”

Here we also can see another aspect of ISHNIGARRAB as being an occupant of the Palace of Death. Amazingly, we so no reference to ISHNIGARRAB in the URILLA Text.  However, we do find two references in the Second Testimony of the Mad Arab:

“And I have seen them in their Rites, and the awful Things they call forth from the Lands beyond Time. I have seen the Signs carved upon their stones, their altars. I have seen the Sign of PAZUZU, and ZALED, and those of XASTUR and AZAG-THOTH, and similarly those of ISHNIGARRAB and the awful Offspring of the Goat, and the terrible musicks of their Race.”

“Seek ever to hold back the Powers of the Cults of the ancient Worship, that they might not grow strong on their blood, and on their sacrifice. By their wounds shall ye know them, and by their smell, for they are not born as men, but in some other fashion; by some corruption of seed or spirit that has given them other properties than those we are familiar with. And they like the Dark Places best; for their God is a Worm.

IA! SHADDUYA IA! BARRA! BARRA! IA KANPA! IA KANPA!
ISHNIGARRAB! IA! NNGI IA! IA!”

In the Mad Arab’s Second Testimony, we get a fuller description of ISHNIGARRAB. We find that the entity is listed amongst the Ancient Ones and is also associated with the ‘Goat.” Simon made mention, earlier in his analysis of the term ISHNIGARRAB, that it means “answerer of prayers.” This is a very interesting aspect to consider and one that we will discuss in further detail later. Simon also makes it clear that ISHNIGARRAB is a reference to SHUB NIGGURATH. With this in mind, it would be useful for us to turn to the works of H.P. Lovecraft. Wikipedia gives us a simple yet clear definition of Shub Niggurath, as the entity appears in the works of Lovecraft:

“Shub-Niggurath, often associated with the phrase “The Black Goat of the Woods with a Thousand Young”, is a deity in the Cthulhu Mythos of H. P. Lovecraft. The creature is sometimes referred to as “The Black Ram of The Forest With A Thousand Ewe”, lending a male gender to the Great Old One that is often thought of as female.

Shub-Niggurath is first mentioned in Lovecraft’s revision story The Last Test (1928); she is never actually described in Lovecraft’s fiction, but is frequently mentioned or called upon in incantations..,”

The definition that Wikipedia gives to SHUB NIGGURATH is one that makes the entity appear somewhat unisex. Yet, it is interesting to note what is mentioned later in the article:

“The revision story The Mound, which describes the discovery of an underground realm called K’n-yan by a Spanish conquistador, reports that a temple of Tsathoggua there “had been turned into a shrine of Shub-Niggurath, the All-Mother and wife of the Not-to-Be-Named-One. This deity was a kind of sophisticated Astarte, and her worship struck the pious Catholic as supremely obnoxious.”[7]

The reference to “Astarte”, the consort of Baal in Semitic mythology, ties Shub-Niggurath to the related fertility goddess Cybele, the Magna Mater mentioned in Lovecraft’s “The Rats in the Walls“, and implies that the “great mother worshipped by the hereditary cult of Exham Priory” in that story “had to be none other than Shub-Niggurath.

In the above quote we see an interesting correlation between SHUB NIGGURATH and the fertility goddess Cybele.  This gives us a deeper aspect of SHUB NIGGURATH’S character. Now let us look on the history of the Goddess Cybele.

Originally a Phrygian goddess, Cybele, sometimes given the etymology “she of the hair” if her name is Greek, not Phrygian, but more widely considered of Luwian origin, from Kubaba; Roman equivalent: Magna Mater or “Great Mother”) was a manifestation of the Earth Mother goddess who was worshipped in Anatolia from Neolithic times. Like Gaia or her Minoan equivalent Rhea, Cybele embodies the fertile earth, a goddess of caverns and mountains, walls and fortresses, nature, wild animals (especially lions and bees). Her title “Mistress of the Animals” (potnia theron) which is also associated with the Minoan Great Mother, alludes to her ancient Paleolithic roots. She is a life-death-rebirth deity. Her consort, whose cult was introduced , is her son Attis. Cybele was supposed to have been born on Mount Ida in Asia Minor; this is the source of her epithet Idaea.

Cybele’s most ecstatic followers were males who ritually castrated themselves, after which they were given women’s clothing and assumed female identities, who were referred to by contemporary commentator Callimachus in the feminine Gallai, and who other contemporary commetators in ancient Greece and Rome reffered to as Gallos or Galli. Her priestesses led the people in orgiastic ceremonies with wild music, drumming, dancing and drink. She was associated with the mystery religion concerning her son, Attis, who was castrated and resurrected. The dactyls were part of her retinue. Other followers of Cybele, Phrygian kurbantes or Corybantes, expressed her ecstatic and orgiastic cult in music, especially drumming, clashing of shields and spears, dancing, singing and shouts, all at night.

I found an interesting reference in the book entitled, The Two Babylons By Alexander Hislop. On page  102 it states the following in reference to the “sacred goose of Brahma”

“Before our Lord was conceived or born, that very day now set down in the Popish calendar for the Annuciation of the Virgin” was observed in Pagan Rome in honour of Cybele, the Mother of the Babylonian Messiah…,”

We can clearly see reference to Cybele here also as the Mpther of the Gods. The old holiday of the Church that is being referred to in the quote above is Lady-Day, or the Day of Conception of the Christ-child, being March 25th. Nine months later would December 25th, the celebrated birth of the Sun, or the Christ.

The information that we have just covered definitely gives us some clarity about SHUB NIGGURATH’S character, being none other than ISHTAR in her exalted form, also known as TIAMAT. This aspect of TIAMAT would relate also to LILITH.  However, there is something else that we sgould consider before we can make such an assumption.

The CHART OF COMPARISONS gives SHUB NIGGURATH the following correspondence:

Shub Niggurath             Pan             Sub Ishniggarab (?)

Let us look a little further to see why Simon lists Pan as relative to SHUB NIGGURATH.

Although Shub-Niggurath is often associated with the epithet “The Black Goat of the Woods with a Thousand Young”, it is possible that this Black Goat is a separate entity. Rodolfo Ferraresi, in his essay “The Question of Shub-Niggurath”, says that Lovecraft himself separated the two in his writings, such as in “Out of the Aeons” (1935 in literature The year 1935 in literature involved some significant events and new books.Events*Penguin Books publishes the first “paperback” book.*W….) in which a distinction is made between Shub-Niggurath and the Black Goat — the goat is the figurehead through which Shub-Niggurath is worshipped. In apparent contrast to Shub-Niggurath, the Black Goat is sometimes depicted as a male, most notably in the rite performed in “The Whisperer in Darkness.”

The Whisperer in Darkness is a short story by H. P. Lovecraft. Written February-September 1930 in literature, it was first published in Weird Tales, August 1931 in literature….” (1931) in which the Black Goat is called the “Lord of the Woods”. The Black Goat may be the personification of Pan.

Pan , in Ancient Greek religion and Greek mythology, is the companion of the nymphs, god of shepherds and flocks, of mountain wilds, hunting and rustic music…., since Lovecraft was influenced by Arthur Machen

Arthur Machen was a leading Wales author of the 1890s. He is best known for his influential supernatural fiction, fantasy fiction, and horror fiction….The Great God Pan

The Great God Pan is a novella written by Arthur Machen. The original story was published in 1890 in literature, and Machen revised and extended it in 1894….

(1890 in literature-The year 1890 in literature involved some significant new books….), a story that inspired Lovecraft’s “The Dunwich Horror.”

“The Dunwich Horror” is a short story by H. P. Lovecraft. Written in 1928 in literature, it was first published in the April 1929 in literature issue of Weird Tales ….The year 1929 in literature involved some significant events and new books….). In this incarnation, the Black Goat may represent Satan. Satan is a term that originates from the Abrahamic religions, being traditionally applied to an angel in Judeo-Christian belief, and to a Genie in Islamic belief…. in the form of the satyr.

In Greek mythology, satyrs are a troop of male companions of Pan and Dionysus ? “satyresses” were a late invention of poets ? that roamed the woods and mountains…., a half-man, half-goat. In folklore, the satyr symbolized a man with excessive sexual appetites. The Black Goat may otherwise be a male, earthly form of Shub-Niggurath — an incarnation she assumes to copulate with her worshipers.

Some of this information may be a little perplexing at first, since the Black Goat can refer to a male or female  entitly. However, this can easily be clarified when we look into what the B;ack Goat is-THE BAPHOMET.

The Baphomet is the Goat of Mendes. Interestingly, the term Baphomet has been considered a corrupt rendering of the name Muhammad by some scholars. The origins of the “Goat of Mendes” can be traced back to Ancient Egypt. Goats and Rams were worshipped in many cities throughout Egypt thousands of years ago. The Goat is synonymous with Satanism. The horns represent the Horned Gods/Goddesses. Goats also symbolized fertility in many different cultures and times. The Goat as a symbol of fertility and focus of religious rites dates all the way back to Sumeria.

The Goat of Mendes

Ptah the Egyptian God of Magick, knowledge and wisdom (an alias of Satan) *became* the goat, and sometimes a ram in the city of Mendes where he was worshipped as such. The Goat/Ram of Mendes represented the “Ba” which was the Egyptian word for the “soul.” Ptah was considered to be a great magician and “Lord of the Serpents.”π

There are many false claims, based upon ignorance that the Goat was invented as a reaction to the “lamb” of xianity. The xian use of the lamb came much later and in truth is based upon the sign of Aries (The spring Easter lamb). A href=”http://www.exposingchristianity.com/”>Everything in xianity has been stolen and corrupted from religions preceding it. The Horned Goat is also directly of Enki (Satan). The constellation of the Horned Goat (Capricorn) is the time of the winter solstice, known as “The Southern Gate of the Sun.”  The Goat was known in early Babylonian times as the God  Ea  (Enki/Satan). Ea was known as  He of vast intellect and Lord of the Sacred Eye  protector of his people and the bringer and giver of knowledge and civilization to humanity. Represented as a snake, he ended up in the  Garden of Eden as the Snake in the tree of life, encouraging learning and knowledge rather than blissful ignorance.  Whenever Ea roamed the Earth, he took the form of a goat. Ea was considered the Father of Light” and his celebrations dating back to 15,000 B.C.E., were carried out wearing goat skins.

This ancient symbol can be invoked in the Simon Necronomicon as ISHNIGARRAB. A deity that relates highly to the Goddess that No One Worshippeths. Wikipedia also sheds further light on this subjest under the subheading of LILITH:

“In modern Luciferianism, Lilith is considered a consort of Lucifer and is identified with the figure of Babalon. She is said to come from the mud and dust, and is known as the Queen of the Succubi. When she and Lucifer mate, they form an androgynous being called “Baphomet” or the “Goat of Mendes,” also known in Luciferianism as the “God of Witches.””

In working with the Rites of the Simon Necronomicon, we find that ISHNIGARRAB is invoked for rejuvenation of poewer, as well as insights into the greater mysteries. It is usually the first Gate that one encounters among the astral gates that lie beyond. It can also be used  in the same manner that the Initiate of the Simon Necronomicon would invoke a succubus.

WARLOCK ASYLUM the Ancient One

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KEYS TO THE ANCIENT ONES PART 11: The Meaning of AZAG-THOTH

Greetings!

I would like to welcome everyone to the Simon Necronomicon GateWalker’s Info Page. If this is your first time here please review our previous articles to gain deeper insight into our present discussion.

It seems to be imperative that the Priest/Priestess of the Simon Necronomicon Tradition  research all of the deities contained in the SN. Since we have been discussing the rituals and workings of the Ancient Ones, I think it would be a good idea for us to look into the meaning of these “ancient” deities  as they appear in the Simon Necronomicon.

One of the more mysterious entities mentioned in the Simon Necronomicon is AZAG-THOTH. In his introduction, Simon describes AZAG-THOTH in the following words:

“Although a list is appended hereto containing various entities and concepts of Lovecraft, Crowley, and Sumeria cross-referenced, it will do to show how the Editor found relationships to be valid and even startling. AZATOT is frequently mentioned in the grim pages of the Cthulhu Mythos, and appears in the NECRONOMICON as AZAG-THOTH, a combination of two words, the first Sumerian and the second Coptic, which gives us a clue as to Its identity. AZAG in Sumerian means “Enchanter” or “Magician”; THOTH in Coptic is the name given to the Egyptian God of Magick and Wisdom, TAHUTI, who was evoked by both the Golden Dawn and by Crowley himself (and known to the Greeks as Hermes, from whence we get “Hermetic”). AZAG-THOTH is, therefore, a Lord of Magicians, but of the “Black” magicians, or the sorcerers of the “Other Side””

It is interesting to note that Simon mentions that “THOTH” was evoked by the Golden Dawn and Crowley. However, before we go further into this discussion, we should review the references to AZAG-THOTH, in the Simon Necronomicon itself.

The First Testimony of the Mad Arab mentions the following:

“I have summoned the ghosts of my ancestors to real and visible appearance on the tops of temples built to reach the stars, and built to touch the nethermost cavities of HADES. I have wrestled with the Black Magician, AZAG-THOTH, in vain, and fled to the Earth by calling upon INANNA and her brother MARDUK, Lord of the double-headed AXE.”(1)

“But now, after One Thousand-and-One moons of the journey, the Maskim nip at my heels, the Rabishu pull at my hair, Lammashta opens her dread jaws, AZAG-THOTH gloats blindly at his throne”

We find another mention of AZAG-THOTH, in the INVOCATION OF THE SHAMMASH GATE:

“AZAG-THOTH is fallen off His Throne before Thee!”(2)

We later find mention of AZAG-THOTH in the MAKLU Text, within the EXORCISM AGAINST AZAG-THOTH AND HIS EMISSARIES:

“AZAG-THOTH TA ARDATA! IA MARDUK! IA MARDUK! IA ASALLUXI!
You have chosen me for a corpse.
You have delivered me to the Skull.
You have sent Phantoms to haunt me.
You have send vampires to haunt me.
To the wandering Ghosts of the Wastes, have you delivered me.
To the Phantoms of the fallen ruins, have you delivered me.
To the deserts, the wastes, the forbidden lands, you have handed me over.
Open Thy Mouth In Sorceries Against Me No More!
I have handed thine image over
Into the flames of GIBIL!
Burn, Mad Fiend!
Boil, Mad God!
May the Burning GIRRA untie thy knots!
May the Flames of GIBIL untie your cord!
May the Law of the Burning seize your throat!
May the Law of the Burning avenge me!”(3)

This is a very interesting passage. It reveals that AZAG-THOTH has the power and ability to send evil spirits to an individual, a point that we will come back to later in our discussion.

The Book of Calling also makes reference to AZAG-THOTH:

Know, thirdly, that by the Power of the Elder Gods and the submission of the Ancient Ones, thou mayest procure every type of honour, dignity, wealth and happiness, but that these are to be shunned as the Purveyors of Death, for the most radiant jewels are to be found buried deep in the Earth, and the Tomb of Man is the Splendour of ERESHKIGAL, the joy of KUTULU, the food of AZAG-THOTH.”(4)

“Invocation of the North Gate

“Thee I invoke, Silver Hunter from the Sacred City of UR!
Thee I call forth to guard this North Place of the Most Holy Mandal against the vicious warriors of Flame from the Principalities
of DRA!
Be thou most vigilant against the UTUKKI of TIAMAT
The Oppressors of ISHNIGARRAB
The Throne of AZAG-THOTH!
Draw Thy bow before the fiends of ABSU
Loose Thy arrow at the hordes of Dark Angels that beset the beloved of ARRA on all sides and in all places.
Be watchful, Lord of the North Ways.”(5)

He appears again in the INVOCATION OF THE FOUR GATES:

“AZAG-THOTH, TA KALLA!”(6)

Later, we find another reference in the IA ADU EN I:

“EKHI AZAG-THOTH”(7)

In the Book of Fifty Names, we find the following under the Thirty-Sixth Name LUGALLABDUBUR:

“Destroyer of the Gods of TIAMAT. Vanquisher of Her Hordes. Chained KUTULU to the Abyss. Fought AZAG-THOTH with skill”(8)

Next we come to the MAGAN Text. Section 4 entitled the Sleep of ISHTAR gives us a few references to the name:

“ERESHKIGAL rejoiced.
Blind AZAG-THOTH rejoiced
IAK SAKKAK rejoiced
ISHNIGGARRAB rejoiced
KUTULU rejoiced
The MASKIM gave praise to the Queen of Death
The GIGIM gave praise to ERESHKIGAL, Queen of Death
(9)

And the Elder Ones were rent “

Later we find the following:

“The demons of all the Abyss lay there
Dead but Dreaming, they clung to the walls
Of the House of Death
Faceless and terrible
The ANNUNAKI stared out
Blind and Mad AZAG-THOTH reared up”(10)

Another reference is made here:

The Dark Waters trembled and roiled. AZAG-THOTH screamed upon his throne”(11)

Now we move on to the URILLA Text:

“Of all the Gods and Spirits of Abomination, there can be no use or gain to call upon AZAG-THOTH, as he is Surely Mad. Rendered sightless in the Battle, he is Lord of CHAOS, and the priest can find little use for him. He is also too powerful to control once called, and gives violent struggle before sent back to the Gate, for which only a strong and able magician may dare raise him. Thus, for that reason, his seal is not given.”(12)

“And with these incantations, and with others, the sorcerers and the she-sorcerers call many things that harm of the life of man. And they fashion images out of wax, and out of flour and honey, and of all the metals, and burn them or otherwise destroy them, and chant the civilisations. And they cause plagues, for they summon PAZUZU. And they cause madness, for they call AZAG-THOTH. And these Spirits come upon the Wind, and some upon the Earth, crawling. And no oil, no powder, suffices to save a man from this inquity, save that exorcisms handed down and recited by the able Priest. And they work by the Moon, and not by the Sun, and by older planets than the Chaldaens were aware. And in cords, they tie knows, and each is a spell. And if these knots be found, they may be untied, and the cords burnt, and the spell shall be broken, as it is written:”(13)

We now come to the last part of the Text entitled, The Second Testimony of the Mad Arab:

“And I have seen them in their Rites, and the awful Things they call forth from the Lands beyond Time. I have seen the Signs carved upon their stones, their altars. I have seen the Sign of PAZUZU, and ZALED, and those of XASTUR and AZAG-THOTH, and similarly those of ISHNIGARRAB and the awful Offspring of the Goat, and the terrible musicks of their Race.”(14)

We can see that AZAG-THOTH is referred to numerous times in the Text. What I also found out is that the term “AZAG”,  which appears in various part of the Text is also a reference to AZAG-THOTH. Yet AZAG-THOTH appears 14 times in the Text. If we include Simon’s reference we arrive at the number 15, a number that corresponds to the Devil in the Major Arcana. We must also keep in mind that AZAG-THOTH is also mentioned in the CHART OF COMPARISONS, which appears in the introduction of the Simon Necronomicon. It is here that we find AZAG-THOTH being compared to AIWASS. When we begin to approach AZAG-THOTH from the perspective of AIWASS, we should consider that AIWASS was the messenger who gave Crowley his revelation in 1904, but also considered by Crowley to be his HGA. In the book entitled Magick Liber Book Four, we find some interesting observations in the book’s introductory notes:

“I now incline to believe that Aiwass is not only the God or Demon or Devil once held holy in Sumer, and mine own Guardian Angel, but also a man as I am, insofar as he uses a human body to make his link with Mankind whom He loves…Aiwaz is not (as I had supposed) a mere formula, …but is the true most ancient name of the God of the Yezidis, and thus returns to the highest Antiquity. Our work is therefore historically authentic, the rediscovery of the Sumerian Tradition.

Crowley’s words indicate the depth of Aiwass, as ones’ higher self, but also as a deity. AIWASS’ appearance in the Book of the Law reveals yet another attribute:

“Behold! it is revealed by Aiwass the minister of Hoor-paar-kraat”

We see from these words that AIWASS was a messenger for the “Child of Horius” or Hoor-paar-kraat. This brings into play the meaning of the term THOTH.

THOTH is a Greek corruption of the Egyptian term “TEHUITI.” Attributes of TEHUTI vary depending on what time period in Egyptian history you are dealing with. However, one aspect that seems to reveal itself in our studies in the designation of TEHUTI as a Scribe of the deities. E. A. Wallis Budge mentions this in his writings Gods of the Egyptians Vol. 1 page 409. This description of TEHUTI/THOTH seems to be the most appropriate in view of Aleister Crowley’s experiences with the energies of TEHUTI. Crowley received the Book of the Law only after invoking “THOTH” ( god of knowledge ). This would best explain why Simon  connected AZAG-THOTH with AIWASS. Yet it also reveals something deeper. The Mad Arab, in his First Testimony, recounts for us his initiation and how he came to understand what was revealed to him. If we compare some of the passages in his Testimony, we can see that this revelation woild best be attributed to the deity AZAG-THOTH. Let us take a brief look at his Testimony:

“I picked it up and saw that it also was carved, as the stone, but very intricately, after a fashion I could not understand. I did not bear the same markings as the stone, but I had the feeling I could almost read the characters, but could not, as though I once knew the tongue but had since long forgotten. My head began to ache as though a devil was pounding my skull, when a shaft of moonlight struck the metal amulet, for I know now what it was, and a voice entered into my head and told me the secrets of the scene I had witnessed in one word:

 

KUTULU.

 

In that moment, as though whispered fiercely into my ear, I understood.”

The above pasasage informs us that it was only after hearing the vooice of KUTULU that the Mad Arab understood the events that took place in the mountain. We will come back to this passage after we look further in his account of what happened.

“Of the three carved symbols, the first is the sign of our Race from beyond the Stars, and is called ARRA in the tongue of the Scribe who taught it to me, an emissary of the Elder Ones. In the tongue of the eldest city of Babylon, it was UR. It is the Sigil of the Covenant of the Elder Gods, and when they see it, they who gave it to us, they will not forget us. They have sworn!”

Here we see a reference to a “scribe”  who taught the Mad Arab the meaning of the Signs. This is a science that is attributed ti TEHUTI/THOTH. The passage goes on to state that “it is the Sigil of the Covenant of the Elder Gods,” Interestingly, the ARRA is said to describe the ‘Race from beyond the Stars.’ This is a reference to those who have been reborn in the blood of the Dragon, or the Ancient Ones. See the Elder Gods represent many things such as planetary energies and etc. However, one thing the Elder Gods represent that is not discussed in public circles, are magicians who were human at one time, and later became immortal gods. We see evidence of this in the Simon Necronomicon Tradition for it state in the Tome:

“THIS is the Book of the Ceremonies of Calling, handed down since the time the Elder Gods walked the Earth, Conquerors of the Ancient Ones”.

The above passage, while often misunderstood, is very clear. The Elder Gods were individual or a clan of magicians and mystics who were able to harness the powers of darkeness and remain alive after physical death consciously. This is the purpose of the Greater Mysteries. This is why the War between the Elder Gods and Ancient Ones can only be understood when read as a metaphore. Let us look at what the The Encyclopædia Britannica  edited by Hugh Chisholm says on page 55:

“..gods of fire, wind and water, gods of the sea, and above allgods of the sky, show no signs of having been ghost gods at any period in their history. They may, it is true, be associated with ghost gods, but in Australiait cannot even be assertedthat the gods are spirits at all…,they are simply magnified magicians, super-men who have never died, we have no ground, therefore, for regarding the cult of the dead as the origin of religion in this area;”

The above quote is further evidence that the Elder Gods were deified magicians. In Christian Mythology, the whole theme of the life of Jesus Christ is an example of this. Now let us get back to our discussion at hand. How can we be certain that AZAG-THOTH is the “Scribe” who revealed the “dark mysteries” to the Mad Arab? Let us make one more comparison to confirm this point. The Mad Arab mentions something very interesting in his description of the “amulet” he recovered from the fire:

“Wherefore, the amulet must be engraved upon pure silver in the full light of the moon, that the moon shine upon it at its working, and the essence of the moon incantations must be performed, and the prescribed rituals as given forth in this Book. And the amulet must never be exposed to the light of the Sun, for SHAMMASH called UDU, in his jealousy, will rob the seal of its power. In such a case, it must be bathed in water of camphor, and the incantations and ritual performed once again. But, verily, it were better to engrave another.”

Here we see something very interesting. If the “amulet” that the Mad Arab recovered from the fire, was a sign of the Elder Gods, such as NEBO, then it would make no sense as to why SHAMMASH would rob the “amulet”of its power. However, when we consider all that we have discussed thus far, we can find some answeers by reviewing the INVOCATION OF THE SHAMMASH GATE. Notice what it states:

“KUTULU is burned by Thy Might! AZAG-THOTH is fallen off His Throne before Thee! ISHNIGARRAB is scorched black by Thy rays!”

Here tis the only Gate Incantation that makes reference to KUTULU (Cult of the Dragon), AZAG-THOTH ( Cult of the Dog ) , and ISHNIGARRAB ( Cult of the Goat ). Out of these three Ancient Ones, we know for certain that AZAG-THOTH is the messenger. Therefore, the “Scribe” that taught the Mad Arab via telepathy was AZAG-THOTH. We cannot conclude this discussion as of yet. We must also define the term “AZAG.”

AZAG is a derivative of the Sumerian term asg, which means “one who causes sickness.” This demon is often depicted as serpent of dragon. Simon mentions that AZAG-THOTH is a derivative of Azathoth, often mentioned in Lovecraft lore. Wikipedia mentions the following under the topic Azathoth:

“In “The Dreams in the Witch House” (1932), the protagonist Walter Gilman dreams that he is told by the witch Keziah Mason that “He must meet the Black Man, and go with them all to the throne of Azathoth at the centre of ultimate Chaos…. He must sign in his own blood the book of Azathoth and take a new secret name…. What kept him from going with her…to the throne of Chaos where the thin flutes pipe mindlessly was the fact that he had seen the name ‘Azathoth’ in the Necronomicon, and knew it stood for a primal horror too horrible for description.”

This description seems to give us another insight into how AZAG-THOTH is define in the Simon Necronomicon, as the Mad Arab often describes him sitting upon a Throne. It seems that AZAG-THOTH serves the purpose of being an Initiator into the “dark mysteries.” This is how Simon was able to compare AZAG-THOTH with AIWASS. I would have to agree with John Allee and his Book of Aiwass. He assigns AIWASS as being able to grant the ability of astral projection and to THOTH the ability to see and hear spirits. These attributes combined in what we have in the energies of the deity AZAG-THOTH.

WARLOCK ASYLUM an Ancient One.

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KEYS TO THE ANCIENT ONES PART 10: ANU the Dead God?

Greetings!

I would like to take the time out to thank everyone for visiting the Simon Necronomicon GateWalker’s Info Page. If this is your first time here, please take the time to review some of our previous articles to better equip you in understanding our current discussion.

We have spent some time discussing the deeper mysteries of the Simon Necronomicon, which are found in our KEYS TO THE ANCIENT ONES SERIES. I thought that it would be good to share some information with those who have been Walking the Gates for some time and still have not gotten to the deeper initiation, as found in the Urilla Text. I would like to begin our discussion with a passage from the Mad Arab’s First Testimony:

“Thinking no more of the carvings, save that they might be the work of a king to mark some ancient victory over an enemy, I built a fire at its foot to protect me from the wolves that wander in those regions and went to sleep, for it was night and I was far from my village, being Bet Durrabia. Being about three hours from dawn, in the nineteenth of Shabatu, I was awakened by the howl of a dog, perhaps of a wolf, uncommonly loud and close at hand.”

It is interesting to note that the Mad Arab was awakened by a “wolf” or dog. This is a clear reference to ANU. Most of the animals mentioned in the Simon Necronomicon have reference to a particular deity. David S. just recently wrote an excellent essay on the subject entitled Dark Totems and Animal Shamanism and I thought I would expand a little more on it.

In the book entitled BABYLONIAN STARLORE written by Gavin White, we find a unique observation on page 222:

“In star-lists the Wolf is usually attributed to Anu, who is widely regarded as the most ancient god of heaven….Anu’s association to the Wolf, however, hints at the darker aspects of his nature…Anu is also regarded as the father of the host of demons…”

Here we see one association of ANU with a Wolf and also that ANU was father to the demons, or dark entities. Wayne Horowitz, in his book entitled, Mesopotamian cosmic geography, mentions the following on page 6:

“the ghost of Anu is a Wolf,…”

These associations are evidently concerning certain star-groupings. Yet it is interesting to note, that while researching the information contained herein, I had an opportunity to review some of the information in the famous yet rare “Ordeal Of MARDUK” text.

The Text known as the Ordeal of Marduk belongs to a category of Assyrian texts generally referred to as the Cultic Commentaries. This text seems to be some sort of ritualistic document that was used in the Rites of MARDUK. A review of this rare text would indicate why the Mad Arab wrote the Necronomicon in code, appearing to support the religion of MARDUK, for the rites of initiation, while actually being a tgrimoire that supports the worship of the Ancient Ones.  We can confirm this by turning once again to the words of Gavin White in his book BABYLONIAN STARLORE on page 151:

“the 19th day of month 6 is called the “Silence of Wrath” –the day that Marduk defeated Anu…”

The text calls mentions that Marduk defeated ANU in all translations known. However, we find that the Mad Arab constantly calls for the protection of ANU and not MARDUK in his 1st and 2nd Testimonies. This indicates that the Mad Arab was a worshiper of the Ancient Ones. Another indication of this is revealed in the Mad Arab’s 1st Testimony:

“THIS IS THE TESTIMONY of all that I have seen, and all that I have learned, in those years that I have possessed the Three Seals of MASSHU. I have seen One Thousand-and-One moons, and surely this is enough for the span of a man’s life, though it is said the Prophets lived much longer.”

“But now, after One Thousand-and-One moons of the journey, the Maskim nip at my heels, the Rabishu pull at my hair, Lammashta opens her dread jaws, AZAG-THOTH gloats blindly at his throne, KUTULU raises his head and stares up through the Veils of sunkun Varloorni, up through the Abyss, and fixes his stare upon me; wherefore I must with haste write this indeed, it appears as though I have failed in some regard as to the order of the rites, or to the formulae, or to the sacrifices, for now it appears as if the entire host of ERESHKIGAL lies waiting, dreaming, drooling for my departure.”

From the two passages above that appear in the 1st Testimony, we can ascertain that 1.001 moons is an alchemical number. We can safely come to this because in the first passage the Mad Arab mentions that he lived 1,001 moons, but later he writes that these 1,001 moons was the length of his journey. Thus, the Mad Arab counted his years of existence based on how many years he was in the “work.” In order to solve this calculation we must resort to some basic math skills.

If were to take 1,001 and divide it by 13 moons in a year, we would get 77. Interestingly, 7 + 7 = 14. 14 is the sacred number assigned to NERGAL. This seems to be appropriate since the GateWalker is a worker of the flame and sword, two qualities of NERGAL. This should not be confused with NERGAL’S astro-cosmological number of 8. Yet we find something very interesting when we peruse this a little further. If we were to divide 1,001 moons by 12 months, we would get 84. However, we should also make note that the reference to “1,001” is actually made three times. Notice what is stated in the Book of Calling:

“In the Ceremonies of Calling, any type of Spirit may be summoned and detained until It has answered your questions or provided you with whatever you desire. The Spirits of the Dead may be invoked. The Spirits of the Unborn may be invoked. The Spirits of the Seven Spheres may be invoked. The Spirits of the Flame may be invoked. In all, there may be One Thousand-and-One Spirits that are of principal importance, and these you will come to know in the course of your experiments. There are many others, but some have no power, and will only confuse.”

Here we see the term “1,001” once again. Since the term appears three times in the Text, we would then take 1,001 times 3, which is 3,003. Now we take 3,003 and divide that by 12 months and we would get 250 years. This is the amount of time approximately that it takes Pluto to orbit the Sun Now we find out something interesting here. In a book entitled, The Worship of the Dead Or the Origin and Nature of Pagan Idolatry and Its …

By J. Garnier, the following observation is made on page 42:

“The god of the dead” worshipped under the name of “Anu”…,Anu was also called “Dis” which identifies him with “Pluto.”

 

Here we see a clear reference as to an aspect of ANU that is revealed in the Simon Necronomicon. Mystical and Mythological Explanatory Works of Assyrian and Babylonian Scholars By Alasdair Livingstone states the following on page 89:

“The present text seems to assume that Enmesarra, Enlil, Anu, and Tiamat are dead, and to reflect the myths in which these deities are defeated by Marduk and others.”

This shows us the effects of how theology changed with the uprising of the cult of Marduk. Yet is also shows us through metaphor that ANU is listed as one of the gods worshipped by the Ancient Ones.

WARLOCK ASYLUM an Ancient One

Filed under: Anton Lavey, Arcturus, Asura, Babylon, Crowley, Cult of Cthulhu, Dark Knight, Freemasonry, Golden Dawn, Islam, Jehovah's Witness, Kabbalah, Lovecraft, Necromancy, Necronomicon, Simon Necronomicon, Simononicon, Sumerian, Tantric, Urilla Text, Warlock, Wicca, Yoruba, culture, enki, goddess, gothic, inanna, jinn, magic, new age, occult, reiki, religion, sex magick, shamanism, tantra, thelema, typhonian, witch, witchcraft

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